Monday, September 14, 2009

FF X-Zone - Ink & WC




Uniball tinted with watercolor. I paint dark, so my "X-Zone" is to paint as light as possible. This is a real strain for me. Like Dr. Strangelove, I have to grab my hand.

Thinking of it as "tinting" rather than "painting" or "applying a color wash" helps.

The bottom two are from our ImprmSktchDy at Chara's alley.

The top one is my favorite of these "restrained paintings." I drew the picture because of the odd roof on the big house, but then I noticed that the little shop was lavender. Actually lavender. And I was glad I was "tinting" rather than just drawing in black and white.

Saturday, September 12, 2009

stickin with oink




Other things. Someone went to Brown Deer Park?!

stickin with ink




Impromptu sketch day 2009!

Thursday, September 3, 2009

FF Ex-Zoned Still


This is a Uni-ball drawing with watercolor. I tend to paint dark, so it was a real effort to paint this as light as it is. It reminds me a bit of Pete Scully's stuff. ( http://petescully.com/sketchbook/) He's a guy from Urban Sketchers who has a very simple coloring-book style of ink and watercolor. His newer stuff is more painterly, but I have always enjoyed the simplicity of his coloring-book approach.

Try as I might to tweak my scanner's colors on Gimp, I couldn't get the yellow right. The reason in the first place that I wanted to add color to this drawing was because the Paneras buildings are striking with their painted stucco. Boldly colored exterior walls are not that common around here. The yellow was pure Yellow Ochre right out of the tube. It doesn't come across that way in the reproductions.

Mom went in to get bread and I drew what was in front of me, including my car reflected in the window. Mom came out with a bag of bread before I was done. While she was shopping at Woodman's, I went back to check the colors. I forgot the blue-green stripe. I guessed at it at home. The shadows on the windows are not shadows but reflections of the undersides of the awnings.

Watercolors have a charm all their own. In real life they have a luminosity from within, the light bouncing off the white paper back through the transparent colors. Not strobe-screamingly luminous. Subtly luminous. Nice. But not reproducible.

PS I didn't yet erase my pencil color-notes. You can erase right through watercolors, unlike the colored ink sketching pens.

FF Ex-Zoned Still


This one is a fountain pen painted over with water. I have this slick watercolor brush with a water cartridge. Without paint on it, it becomes a pen & ink tool. I just brush over the pen strokes and it blends them, nearly obliterating the lines entirely. This intrigues me and needs practice. There should have been less crowded shading in the shadows--the water brush mixing made the shadows too dark. More spaces between diagonal shadings equals lighter grays.

FF Ex-Zoned



The bottom one is a foliage landscape and clouds.

The middle one is the bank corner in Elroy. I drew the large tree trunk first, and you can see how my pen began to run out, though I did make the stuff behind the tree lighter intentionally. Some teachers speak very highly about different line thicknesses.

The top two brick samples are pencil. The ink ones don't seem to have much difference, but I brushed them all with water. Two smeared. Good or bad?

I like the drag of the fountain pen compared to the slip of the ball point. The Sharpie "Pen" has the finest lines. The non-smearing ones can be used with watercolors.

FF Comfort Zone